How to Write in Italic Calligraphy - Lowercase Alphabet

Based on a video by Sakura of America

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Italic is the calligraphy hand that beginners learn first for a reason. The strokes are mostly straight lines with a few graceful curves, the pen stays at one consistent angle the whole way through, and every lowercase letter is built from one of just four basic shape families. Once you can write the families, you can write the alphabet.

Joanne Fink is a working calligrapher who has been teaching italic for decades. In this video for Sakura, she takes you through the entire lowercase italic alphabet in under eleven minutes - not by drilling letter by letter, but by grouping the 26 letters into four families that share the same core strokes. Learn the family, learn five or six letters at once.

You will need a 3mm Sakura Pigma Calligrapher pen and Sakura's free 3mm italic lining guide (download from sakuraofamerica.com/printables). The lining guide gives you ruled rows already sized to the 3mm nib so your x-height is correct on the first try. If you would rather start with a different letterform, the calligraphy and hand lettering theme page has every alphabet style we have written up so far.

What Italic Handwriting Style Actually Is

Italic sits between everyday handwriting and formal calligraphy. It came out of Renaissance Italy as a quicker way to write the rounded humanist script, which is why it leans forward. The letters stay separate instead of joining up, so it stays readable even when you speed up.

Three things define the hand. The pen angle holds at 35 degrees and never moves. The letters slant forward by roughly 5 degrees. And the round letters are ovals rather than circles, which is what keeps the whole alphabet narrow and even.

Italic Handwriting or Italic Calligraphy?

Both names describe the same letterforms. What changes is the tool and the pace.

Written slowly with a broad-edged pen and spaced carefully, italic is calligraphy. Written with an ordinary pen at normal speed, those same shapes become a legible daily hand. People learning italic for their handwriting keep the slant and the oval bowls and let go of the thick-and-thin contrast, since that part needs a chisel nib to happen at all.

Start with the calligraphy version even if handwriting is the goal. A broad nib shows you exactly where your pen angle drifts, and seeing that is what fixes your shapes.

The Italic Alphabet, A to Z

All 26 lowercase letters come out of four families. Learn a family and you get five or six letters at once, which is why the video does not run alphabetically.

  • Straight: i, l, t, f, j. One slanted down-stroke with a small exit curve.
  • Branching: n, m, h, b, p, k, r, plus u and y as inversions. A stem, then a thin upstroke that branches into an arch.
  • Elliptical: a, d, g, q, o, c, e. An oval bowl with a stem attached to it.
  • Diagonal: s, v, w, x, z. Steeper strokes, and the s is the hardest letter in the set.

Capitals are a separate study. They are built on Roman proportions rather than these four families, so most people learn the lowercase first and use plain printed capitals in the meantime.

Ruling Your Own Guidelines

You do not have to print Sakura's sheet. Set the body of the letters at five nib widths, mark ascenders and descenders three to four nib widths beyond that, then add slant lines about 5 degrees off vertical so the lean stays consistent across the page.

Rule the guidelines on a separate sheet and slip it underneath if your paper is thin enough to see through. Lines drawn on the practice sheet itself are difficult to erase without lifting ink.

Once the lowercase alphabet feels steady, cursive is the natural next hand to try, and our general calligraphy guide covers the pens and papers worth buying once you move past practice sheets.

What you'll need

Step-by-step guide

7 steps, about 11 minutes. Tap a picture to jump to that step. Your progress saves automatically.

Tick each step off as you go.

  1. Step 1: Gather Your Pen, Paper, and Lining Guide

    Watch this step · 0:35

    You need three things: a 3mm Sakura Pigma Calligrapher pen, Sakura's free 3mm italic lining guide, and a sheet of smooth practice paper for warm-up strokes. The Pigma Calligrapher has a chisel-shaped nib that gives italic its thick down-strokes and thin upstrokes automatically - you do not have to dip ink or adjust pressure.

    Print the lining guide directly onto your practice paper or slip it under a blank sheet of tracing paper. The guide ruling already matches the 3mm nib, so the x-height, ascender, and descender lines are all spaced correctly. Lay everything flat on a hard surface (a clipboard works) so the paper does not bow under the pen.

    Tip:

    Sakura sells the Pigma Calligrapher in 1mm, 2mm, and 3mm sizes. Start with the 3mm - the bigger nib makes it easier to see what your strokes are doing while you learn the shapes.

    Back to all steps

  2. Step 2: Set Your Pen Angle and Learn the Four Letter Families

    Watch this step · 1:15

    Before you write a single letter, hold the pen at a consistent 35-degree angle and keep it there. That single angle is what makes italic look like italic. The base of a lowercase letter is 5 nib widths tall - stack the flat edge of your pen five times if you want to see exactly what x-height means at this size.

    Joanne sorts the 26 lowercase letters into four shape families. Straight letters (i, l, t, f, j) are mostly vertical down-strokes. Branching letters (n, m, h, b, p, k, r, then u and y) all start with a curve that branches out from the stem. Elliptical letters (a, d, g, q and o, c, e) are built around an oval bowl. Diagonal letters (s, v, w, x, z) lean across the line. Work one family at a time and the alphabet stops feeling like 26 random shapes.

    Back to all steps

  3. Step 3: Write the Straight Letters - i, l, t, f, j

    Watch this step · 1:50

    Start the i one nib width down from the top line. Curve up briefly to touch the top, then come straight down at the same slant the whole way, and end with a tiny curve out at the bottom. The dot on the i sits directly above the stem at the same thickness as the stroke - not a teardrop and not a circle.

    The l is the same stroke as the i, just longer - it climbs into the ascender space. The t starts about 6 nib widths tall with a rounder bottom hook than the l, then add a flat crossbar where the x-height line sits. The f is essentially a long l with a crossbar. The j drops below the baseline with a thin tail that curls left. Write each one five or six times in a row before moving on.

    Tip:

    If your down-strokes wobble, your pen angle is changing as you move. Lock your wrist and let your whole forearm slide.

    Back to all steps

  4. Step 4: Build the First Branching Group - n, m, h, b, p, k, r

    Watch this step · 3:35

    The branching letters are the heart of italic. Start the n on a thin upstroke, curve at the top, come straight down at the slant, and let the stroke push past the baseline a touch. Then go back up the stem and branch out into the second leg with the same curve. The gracefulness comes from that branched curve - if it looks like a sharp angle you are turning too quickly.

    An m is two n shapes side by side; if you do it right, the gap between the down-strokes is exactly the same. The h, b, p, and k all branch off an l-style stem in the same way. The r branches higher than the n so its short tail keeps the rhythmic spacing between letters consistent. Practice n and m first - those two are the trickiest, and once you nail them the rest of the group is easy.

    Tip:

    Watch the distance between your down-strokes. Even spacing across the whole word is what makes italic look polished.

    Back to all steps

  5. Step 5: Add the Second Branching Group - u and y

    Watch this step · 7:00

    The u is an upside-down n. Branch down from the top, curve at the bottom, then come straight back up to the top for the second leg. The thin upstroke, branched curve, and even down-strokes are all the same moves you used on n - just inverted.

    The y combines the u with the j tail. Write a u, then drop a thin downstroke below the baseline from the right leg and finish it the way you ended j - with a thin curl back to the left. These two letters bridge into the elliptical group because both rely on the same smooth branched curve.

    Back to all steps

  6. Step 6: Build the Elliptical Letters - a, d, g, q, o, c, e

    Watch this step · 7:25

    The elliptical letters are built around an oval bowl. For the a, push the pen slightly to the left to start, then sweep around into a rounded oval, and come back down with a vertical stem. The d is the same bowl with an l-shaped stem sitting on top of it. The g overlaps the bowl with a descender tail. The q ends with a thin curl to the right like an inverted j.

    The o, c, and e are pure ovals. Joanne's trick: start lower than you think you need to, so you have room to come back up and over the top and overlap the join. Touching fingertip to fingertip is hard; pressing palm to palm is easy and stronger. Same principle with letters - overlap the strokes rather than just kissing them together.

    Back to all steps

  7. Step 7: Finish with the Diagonal Letters - s, v, w, x, z

    Watch this step · 9:15

    The diagonal family has the trickiest letter of the lot - the s. Work small so you have room to add the top curl and the bottom curl on either side of the diagonal middle stroke. A big s tends to look top-heavy.

    For v, w, and x, steepen the angle of your left-leaning down-strokes a touch and flatten the right-leaning ones, so the visual weight stays balanced across the letter. The z is a flat top, a steep diagonal down, and a flat bottom. That is the entire lowercase italic alphabet. Write each letter ten times in a row, then start chaining them into short three- and four-letter words - calm, knit, fish - and you will see the family-based approach pay off fast.

    Tip:

    Once you can write the alphabet cleanly, go back through the video and try the same letters at the 2mm size for a smaller, more letter-writing-friendly version.

    Back to all steps

Keep going

How to Do Brush Pen Calligraphy - 7 Step Beginner Guide

7 steps · about 7 minutes

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How to Write in Italic Calligraphy - Lowercase Alphabet

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Question 1 of 5

Right tool for italic without dipping ink?

Quick reference

Key takeaways from How to Write in Italic Calligraphy - Lowercase Alphabet

5 questions, answers, and one-line explanations. Tap to expand.

  1. 1.Right tool for italic without dipping ink?

    Answer: Chisel-nib calligraphy pen

    Pigma Calligrapher's chisel-shaped nib gives thick downs and thin ups automatically. No dipping, no pressure adjusting.

  2. 2.Right pen angle (kept consistent)?

    Answer: About 35° angle

    Hold the pen at consistent 35°. Keep it there. That single angle is what makes italic look like italic.

  3. 3.How many letter shape families?

    Answer: Four families

    Straight (i, l, t, f, j), branching (n, m, h, b, p, k, r, u, y), elliptical (a, d, g, q, o, c, e), diagonal (s, v, w, x, z).

  4. 4.X-height of a lowercase letter in nib widths?

    Answer: About 5 widths

    Base of lowercase = 5 nib widths tall. Stack the flat edge of the pen 5 times to see x-height at this size.

  5. 5.Trickiest letter in the diagonal family?

    Answer: Letter s

    The s needs the top curl + diagonal middle + bottom curl all balanced. Work small or it looks top-heavy.

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