How to Do Brush Pen Calligraphy - 7 Step Beginner Guide

1. 1

   Step 1: Make Sure You Have a Real Brush Pen

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   A brush pen and a calligraphy pen are not the same thing. Walk into any art store and the 'calligraphy' rack will hand you a pen with a chiseled flat tip. Push down hard, push down soft - same line width every time. That's not what you want for modern brush calligraphy.

   A real brush pen has a flexible tip. Press light and the line goes thin. Press hard and the line goes thick. That difference in line weight - controlled by pressure alone - is the entire foundation of brush lettering. Before you buy anything else, confirm the tip flexes when you push it.

   Tip:

   Becca uses Tombow Dual Brush Pens in this tutorial. The big end is the brush tip you'll letter with. The small felt-tip end on the other side is a regular marker - useful for decoration but not for calligraphy.

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   Used in this stepTombow Dual Brush Pen 10-Pack Primary ColorsTombow Fudenosuke Brush Pen Hard TipTombow Fudenosuke Brush Pen Soft Tip

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2. 2

   Step 2: Pick the Right Pen and Smooth Paper

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   Tombow Dual Brush Pens are Becca's go-to and a fair starting point for everyone. They come in dozens of colors, the brush tip is forgiving for beginners, and a 10-pack runs cheap enough that a fried tip isn't a tragedy. Serious letterers usually grab the 96-color set once they're hooked.

   Paper matters more than people expect. Anything toothy or textured - watercolor paper, printer copy paper, sketch paper - tears at the brush bristles and ruins a new pen within a week. Pair the pens with smooth high-quality paper. Rhodia dot pads and grid pads are the standard. Marker paper works too.

   Tip:

   If your brush tip already looks frayed at the edges, your paper is too rough. Switch to smooth paper and use the damaged pen for warm-ups, not finished work.

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   Used in this stepTombow Dual Brush Pen 96-Color SetTombow Dual Brush Pen 10-Pack Primary ColorsRhodia Dot Pad A5 Smooth PaperSmooth Marker Paper Pad

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3. 3

   Step 3: Hold the Pen at 45 Degrees

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   Don't force a fancy grip. Hold the pen however feels natural - pencil grip, three-finger, whatever you already do for handwriting. What matters is two things: the pen sits at about a 45-degree angle to the page, and the pen runs perpendicular to the paper (sideways, not pointed straight down).

   That angle lets the belly of the brush tip - the wider middle section, not just the point - do the heavy lifting on your downstrokes. Hold it too steep and you'll only ever get thin lines no matter how hard you press. Get the angle right and the line-weight difference shows up automatically.

   Tip:

   Quick angle check: lay the pen flat on the page with the cap end pointing back over your shoulder. The barrel should sit about halfway between flat and vertical. If your wrist hurts, lower the angle - 45 degrees is the target, not a rule.

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   Used in this stepTombow Dual Brush Pen 10-Pack Primary ColorsRhodia Dot Pad A5 Smooth Paper

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4. 4

   Step 4: Practice Light Upstrokes

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   Hold the 45-degree angle and barely touch the page. Draw thin upward lines from the baseline to the waistline (about four grid boxes tall on Rhodia dot paper). Curve them slightly to the right - not a big swoop, just a hint of a lean. Keep the pen on the same angle the whole time.

   You're aiming for consistency, not perfection. Every upstroke should be the same hair-thin width. No 'eyelashes' (where the line gets thicker partway up because you pressed). Run a full row of these. If they look uneven, lift up more - the lightest possible touch on the page.

   Tip:

   If your upstrokes keep going thick, you're gripping too tight. Loosen your fingers and let the weight of the pen alone make contact with the paper. That's how light it should feel.

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   Used in this stepTombow Dual Brush Pen 10-Pack Primary ColorsBrush Lettering Practice Workbook

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5. 5

   Step 5: Practice Heavy Downstrokes

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   Same pen angle. Now reverse direction and press hard. Start at the waistline, push down to the baseline, and let the brush tip splay wide on the page. Don't be careful - brush pens are designed to be pressed on. You should see a dramatic thick line, much wider than your upstrokes.

   Run a row of downstrokes right under your upstrokes so you can compare the line weights side by side. The difference should be obvious - hair-thin going up, fat and bold going down. If the two rows look about the same thickness, you're not pressing hard enough on the downstrokes.

   Tip:

   Rotate the pen a quarter turn in your fingers every few downstrokes. Brush tips wear down on one side if you always press from the same angle - rotating spreads the wear and your pen lasts much longer.

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   Used in this stepTombow Dual Brush Pen 10-Pack Primary ColorsTombow Fudenosuke Brush Pen Hard TipRhodia Dot Pad A5 Smooth Paper

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6. 6

   Step 6: The One Rule - Light Up, Hard Down

   Watch this step · 4:50

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   Here's the entire technique in one sentence. Anywhere the pen moves upward, light pressure. Anywhere the pen moves downward, hard pressure. That's all of brush calligraphy.

   The thick chunks in a calligraphy word aren't shadows added later. They're downstrokes - the moments inside each letter where the pen happened to be moving down the page. Apply 'light up, hard down' to every single stroke you make and your handwriting will start looking like calligraphy almost immediately. It works on print letters, cursive, decorative scripts - the rule doesn't care which alphabet you're writing.

   Tip:

   Mid-stroke transitions are where beginners trip. When a curve flips from going up to going down, your pressure has to flip at the same moment - smoothly, not abruptly. Practice slow loops where you can feel the pressure rolling from light to heavy and back.

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   Used in this stepTombow Dual Brush Pen 10-Pack Primary ColorsBrush Lettering Practice Workbook

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7. 7

   Step 7: Combine Strokes Into Letters

   Watch this step · 5:48

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   Once 'light up, hard down' is automatic, every letter in the calligraphy alphabet is just a few basic strokes glued together. The basic strokes are short building blocks: upstroke, downstroke, ascending loop, compound curve, underturn, overturn, and oval.

   For a lowercase h, link an upstroke into an ascending loop, drop a downstroke, then trail off with a compound curve. The pressure rule still applies on every piece - thin on every up-motion, thick on every down-motion. Practice the basic strokes until they're effortless before chaining them into letters. The work you do at the stroke level shows up in your finished alphabet.

   Tip:

   Drill the basic strokes for ten minutes before any lettering session. Pros do this their whole career - it's the calligraphy equivalent of a musician's scales. Your hand needs the warm-up even after you know the strokes by heart.

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   Used in this stepTombow Dual Brush Pen 10-Pack Primary ColorsTombow Dual Brush Pen 96-Color SetBrush Lettering Practice Workbook

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Keep going

How to Do Faux Calligraphy

10 steps · about 12 minutes

→

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