How to Draw Clouds (Step by Step Pencil Tutorial)

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  • 12:25 video
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Based on a video by Stay Creative Painting with Ryan O'Rourke

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The finished result: How to Draw Clouds (Step by Step Pencil Tutorial)
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Step 2 of 6 inLearn to Draw: Nature and Landscapes

The biggest mistake beginners make with clouds is drawing them like a row of equal-sized bumps stacked on a triangle. Real clouds are messy. They have wispy edges, deep shadow valleys, and bright tops that catch the light. You can fake all of that with a soft pencil, a tissue, and a sharp eraser.

This walkthrough follows Ryan O'Rourke from Stay Creative Painting. His approach is reductive - lay down graphite, blend it, then erase highlights back out. Seven steps take you from two faint triangles to a finished cumulus that looks like it's floating. The same logic stretches to wispy sunset cirrus and dark storm clouds, with different pressure.

What you need

  • 2B, 4B and 6B pencils
  • Smooth drawing paper
  • A kneaded eraser
  • A blending stump or a tissue

Cloud types to draw

TypeShapeShading
CumulusPuffy heaps with a flat bottomBright tops, dark underside and crevices
StratusFlat gray sheets across the skyEven mid-tone, soft horizontal blending
CirrusThin, high wisps and streaksBarely any graphite, lifted streaks

Start with cumulus. It teaches light and shadow on a round form, and the other two are easier once you can do it.

Pencil shading vs lifting with an eraser

There are two ways to get a white cloud. You can leave the paper bare and shade only the sky and shadows around it, or you can cover the area in graphite and pull the whites back out. Ryan does the second, and it's easier to get soft edges that way because nothing starts as a hard line.

A kneaded eraser dabbed straight down lifts a round highlight. Dragged, it makes a streak - handy for cirrus. For a crisp bright edge, cut a plastic eraser to a sharp corner. The shading tutorial covers value scales and blending if the gradients feel muddy.

Putting clouds in a landscape

Clouds shrink and flatten as they get closer to the horizon. Draw the big, detailed ones high on the page and line up smaller, lighter ones low down. That alone gives a sky depth. Keep the sky darker near the top of the paper and lighter at the horizon.

Under clouds, mountains should be lighter and cooler in the distance than the cloud shadows above them. A house or a horse in the foreground gives the sky scale. To try the same sky in color, see the painted clouds tutorial.

Cartoon clouds for kids

Kids don't need graphite blending. Draw a flat line for the bottom, then a row of bumps over the top - big in the middle, small at the ends. Trace it in marker, color the sky blue around it and leave the cloud white. Add a gray underside with a crayon and it turns into a rain cloud.

Common mistakes

  • Hard outlines everywhere. Only the lit edge gets a crisp line. The rest fades into the sky.
  • Every lump the same size. Mix big heaps with small ones.
  • Dark top, light bottom. Flip it. The base of a cumulus is its darkest area.
  • Overblending. A cloud rubbed smooth all over turns into gray fog. Lift the highlights back.

If the sketching and shading here feel like guesswork, the fundamentals - pencil grades, the light-pass method and picking a light source - are at how to draw.

What you'll need

Step-by-step guide

7 steps, about 12 minutes. Tap a picture to jump to that step. Your progress saves automatically.

Tick each step off as you go.

  1. Step 1: Sketch the Cumulus Base Shape

    Watch this step · 2:10

    Start with two overlapping triangles drawn very lightly. The triangles set the rough silhouette of your cloud, not its final outline. Vary the sizes so one is taller than the other, and let them overlap by a third or so.

    Ryan adds a small third triangle in the middle to break up the symmetry. Don't press hard. These are throwaway lines that you'll erase as soon as the cloud has its softer shape. Pencil-on-paper triangles feel wrong for a fluffy cloud, but they give you a backbone to build on.

    Tip:

    Keep your pencil sharp and your hand light. If your guide lines are too dark, you'll fight them later when you erase and can't get the paper back to white.

    Back to all steps

  2. Step 2: Build the Fluffy Cumulus Bumps

    Watch this step · 2:35

    Now layer circles and ovals around the triangles to soften the outline. Vary every shape. A big oval on the left bulge, a small circle on the right, a square-ish bump where the cloud meets the sky. Inconsistency is what makes the shape read as a real cloud instead of a cartoon.

    Let some bumps overlap. Let others stick out into the sky. The top right corner can taper into a thin wisp instead of a round bump. Ryan calls this the moment the cloud stops being a triangle and starts becoming weather.

    Tip:

    If two bumps end up the same size next to each other, redraw one of them larger or smaller. Matching bumps next to each other is the fastest way to make a cloud look fake.

    Back to all steps

  3. Step 3: Feather the Windward Edge

    Watch this step · 3:15

    Pick a side of the cloud where the wind is pushing. Ryan picks the top right. On that side, taper your outline so the bumps trail off into the paper instead of stopping in a hard edge. A few short broken strokes work better than one continuous line.

    Now erase the inner pencil lines from the triangles. You only want the outer cloud shape and the wispy fade on the windward side. Use a tissue wrapped tightly around a pencil tip to lightly soften any line that still looks too sharp.

    Tip:

    Tissue paper wrapped around a pencil works as a free blending stump. It picks up graphite and smudges it just enough to soften an edge without erasing it.

    Back to all steps

  4. Step 4: Block in the Shadow Side with 6B

    Watch this step · 4:10

    Decide where the light is coming from. Ryan picks the top left, which means the right side and the underside of the cloud are darker. Switch to a 6B pencil and lay down loose strokes on the shadow side. Don't try to be neat. You're going to blend it.

    Push the darkest values into the spots where one bump overlaps another. Those crevices are where the cloud casts shadow on itself. Keep the top of the cloud lighter than the underside. A cloud bottom should be the darkest area on the whole drawing.

    Tip:

    If 6B feels too dark too fast, drop to 4B for the first pass. You can always layer 6B on top, but you can't take pure black back out without an eraser fight.

    Back to all steps

  5. Step 5: Lift Highlights with a Kneaded Eraser

    Watch this step · 5:10

    Pinch your kneaded eraser into a sharp point and start pulling pigment out of the cloud where the light hits hardest. Top of every bump on the light side. Round dabs work better than swipes - they read as actual highlights instead of streaks.

    This is the move that turns a flat gray smudge into a three-dimensional cloud. You're carving brightness back in by subtraction. Reshape the eraser tip on a scrap of paper between lifts so it stays clean and sharp.

    Tip:

    If your kneaded eraser is leaving more gray than it's lifting, knead it to expose a clean surface. Old kneaded erasers full of graphite will just smear.

    Back to all steps

  6. Step 6: Blend Mid-Tones with a Stump

    Watch this step · 6:50

    Grab your blending stump - or wrap a fresh piece of tissue around a pencil tip - and start working the mid-tones. Use light cross-hatching motions: a few diagonal strokes left, a few right, a few horizontal. This builds a smooth gradient instead of a flat smudge.

    Keep blending until the dark side fades smoothly into the light side. There should be no hard edge where shadow stops and highlight starts. The gradient is what makes the cloud look soft. If you lose detail you wanted to keep, go back in with the kneaded eraser and lift it again.

    Tip:

    Brush eraser shavings off with a clean tissue, not your hand. Hand oils smear pencil and you can flatten an hour of careful blending in one swipe.

    Back to all steps

  7. Step 7: Sharpen the Silhouette and Add Depth

    Watch this step · 10:20

    Take a sharp 2B and tighten the outline where the cloud meets the sky on the light side. Deepen the very darkest spot on the underside - this should be the blackest point in the drawing. Then sketch one or two small clouds in the background. Lower contrast and less detail makes them recede.

    Step back. If the eye doesn't travel around the cloud in a loop, add another bright lift or one more deep shadow until it does. A cloud that locks your eye in one spot looks dead.

    That's the basic cumulus method. Save it - the same three-stage rhythm (block in, blend, erase back) is the foundation of every cloud type you'll ever draw.

    Tip:

    Variant tip - cirrus and storm clouds. The video covers cumulus only, but the method bends two ways. For wispy cirrus (high mares-tail clouds), skip the 6B shadow block entirely - draw thin horizontal pencil strokes, then use only the kneaded eraser to pull soft streaks across the sky. For storm clouds, push the opposite direction: layer 4B and 6B repeatedly on the underside, keep the silhouette broken and ragged instead of smooth, and let the darkest values sit nearly black. Same hands, same paper, different pressure.

    Back to all steps

Keep going

How to Draw Mountains: Pencil Landscape Step by Step

Products Used

The Checklist

How to Draw Clouds (Step by Step Pencil Tutorial)

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Steps
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Video
12 min

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5 questions covering what you just read. No signup, no score saved, and you can stop after this one.

Question 1 of 5

What basic shape do you start with for a cumulus cloud?

Quick reference

Key takeaways from How to Draw Clouds (Step by Step Pencil Tutorial)

5 questions, answers, and one-line explanations. Tap to expand.

  1. 1.What basic shape do you start with for a cumulus cloud?

    Answer: Two overlapping TRIANGLES drawn very lightly

    Triangles give the cloud a backbone; you'll soften it with bumps and erase the triangles later.

  2. 2.Why VARY the bump shapes (big oval, small circle, square-ish)?

    Answer: INCONSISTENCY is what makes the shape read as a real cloud instead of a cartoon

    Uniform bumps = cartoon cloud. Mixed shapes = real weather.

  3. 3.What should be the DARKEST area on the whole drawing?

    Answer: The cloud BOTTOM (underside) - it's always the darkest because it's in shadow

    Cloud bottoms catch the least light; they're the darkest area in any cloud drawing.

  4. 4.What tool LIFTS highlights back out of the shaded cloud?

    Answer: A KNEADED ERASER pinched into a sharp point - round dabs work better than swipes

    Kneaded eraser dab carves brightness back in by subtraction - that's what turns flat gray into 3D.

  5. 5.What's the 'three-stage rhythm' that works for every drawing in this series?

    Answer: Block in, blend, erase back

    Block in shape, blend mid-tones, erase highlights back - foundation of every value-based pencil drawing.

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